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The Wittelsbach Diamond
The Wittelsbach
How often does one come across phrases such as "present location unknown" or
"all trace of the diamond has been lost" when undertaking research into the
histories of famous diamonds? It is all the more satisfying, therefore, to
recall an item in a newspaper that appeared in January, 1962, under the heading
"Rare diamond reappears." This refered to the Wittelsbach, a diamond of a rare
dark blue color whose reappearance, even though after a mere few decades, was
nonetheless an exciting and welcoming event.
The Wittelsbach weighs 35.56 metric carats and measures 24.40 mm in diameter
and 8.29 mm in depth. (The diameter figure is very likely the length of the
diamond. Being slightly oval, the width would be a few millimeters less.) It is
pure apart from a few surface scratches that were probably caused during removal
from its setting. The diamond has been cut with 82 facets arranged in an unusual
pattern -- the star facets on the crown are vertically split and the pavilion
has sixteen needle-like facets, arranged in pairs, pointing outward from the
culet facet.
The first record of the Wittelsbach dates from the latter part of the
seventeenth century. One fact is thus certain: the diamond must be of Indian
origin. Furthermore, it has been suggested that a diamond of such a rare color
must once have formed part of the famous French Blue Diamond, weighing 112� old
carats in the rough, which Tavernier bought in India and later sold to Louis XIV
of France. The principal gem which this yielded is the Hope, weighing
45.52 carat, so that technical reasons alone clearly preclude the possibility of
the Wittelsbach having been fashioned from the same piece of rough. The sole
possibility of a connection between the Wittelsbach and the Hope lies in
Tavernier's French Blue Diamond being merely part of a much larger piece of
rough that had at some time been split in two (a very unlikely occurence).
However, it would be interesting to ascertain whether the Wittelsbach has
physical properties similar to the Hope.
The history of the Wittelsbach has been uneventful; for the most part it has
been passed down from one royal owner to another. The gem formed part of the
gift which Philip IV of Spain gave to his 15-year-old daughter, the Infanta
Margareta Teresa, up the occasion of her betrothel to the Emperor Leopold I of
Austria in 1664. (Any chance of tracing the earlier history of the Wittelsbach
was lost when the Madrid archives were destroyed during the Spanish Civil War of
1936-39.) The bride's father commanded the treasurer to compose a dowry from a
recent acquisition of precious stones from India and Portugal. The resulting
selection included a large blue diamond. Unfortunately, the marriage between the
Emperor and the Infanta ended with her early death in 1675. Her jewels passed to
her husband, and listen in a document dated March 23rd, 1673:
"Diamond ornament ... consisting of ... a large brooch with a Great Blue
Diamond in the centre, to which belongs a bow-jewel set with rubies."
Leopold I later gave all the jewelry he had inherited from the Infanta to his
third wife, the Empress Eleanor Magdalena, daughter of the Elector Palatine. The
Empress outlived her husband, dying in 1720. By then she had already made
arrangements to bequeath the 'Great Blue Diamond' to her younger granddaughter,
the Archduchess Maria Amelia, daughter of the Emperor Joseph I.
In 1717 the Archduchess made the aquaintance of the man she was destined to
marry, the Bavarian Crown Prince Charles Albert. Born in Brussels in 1697, he
was subsequently brought up and educated in Austria. Their wedding in 1722 was
an event that heralded an important change in the future of the blue diamond.
Henceforth it became the 'family diamond' of House of Bavaria, the Wittelsbachs;
it remained so until the abdication of the last king in 1918. The diamond was
the principal item in Maria Amelia's dowry and was described under the heading
of diamond ornaments as, ' No. 1 A large blue brilliant encircled with small
brilliants,' valued at 240,000 guilders, proof of the value attached to the gem,
especially when its worth is compared to that of other valuables recorded in
contemporary inventories.
 An Order
of the Golden Fleece ornament, with the Wittelsbach set at the top. The
cushion-shaped diamond in the center section of the pentdant is actually
described as being a pinkish-brown color. In the book Diamonds - Famous,
Notable and Unique there is a photo of this ornament but the gold ram at
the bottom is not attached.
 A zoom-in
of the top third of the ornament. Unfortunately, the Wittelsbach appears
fairly dull in this photo and the above, looking more like a piece of glass
than a diamond.
It was not long after the wedding of the Crown Prince to the Archduchess that
his father, the Elector Maximilian Emmanuel, found himself in financial
difficulties. As the head of a royal family, he was responsible for the wellfare
of its members which in turn, meant that he was free to do as he pleased with
all their worldly goods. Borrowing money from a banker named Oppenheim, he thus
pledged both the Wittelsbach Diamond. They were redeemed four years later for
543,781 guilders, but the Elector, who died shortly afterwords, left his son and
successor the task of covering this amount. In addition, the Elector left his
family an impoverished one; the redemption of the diamond raised the total
deficit to 4,000,000 guilders.
The new Elector, Charles Albert, clearly had an affection for the Wittelsbach
because during his lifetime he had its setting altered several times, each more
beautiful than the last. His successor, Maximilian III, ordered yet another
setting for the gem which was undertaken by a Munich jeweler. The Wittelsbach
was set in a circle of brilliants with a border of larger brilliants in a floral
design. Suspended from this was a loop or bow of brilliants with horizontal rays
radiating from a large cushion-shaped brilliant diamond of a pink-brown tint in
the center (see the above two photos). Altogether a total of 700 brilliants were
employed into this extravagent setting.
The last King of Bavaria to wear the blue diamond was Louis III who reigned
until 1918 when Germany became a republic. After his abdication he retired to
his estate in Hungary, dying there in 1921. His internment in the
Theatinerkinche in Munich was a ceremonial occasion of splendour and it marked
the last time that the Wittelsbach Diamond accompanied a monarch to his final
place of rest.
In the aftermath of World War I, Bavaria became a republic and the
possessions of the former House of Wittelsbach were placed under the control of
an equalization fund. The members of the royal family recieved an indemnity
which, however, was soon to prove worthless in the ensuing period of inflation,
and since legislation did not permit the conversion of landed property into
money, the members of the royal house were soon left in an impoverished state.
Accordingly, the State agreed in 1931 that certain Crown Jewels of the House of
Wittelsbach should be sold to alleviate the hardship experienced by descendants
of the last king.
 The
Wittelsbach's unusual facet layout. The eight inner-most facets on the pavilion
is actually a sapphire glued to the stone to hide a very large culet facet and
help deepen the diamond's color appearance.
The honor of auctioning the Bavarian Crown Jewels fell to Christie's in
London, who in November, 1931, announced the sale would take place the following
month and that the contents would include "a famous blue diamond." Public
interest was remarkable; the sale comprised thirteen lots and lasted for over
two hours. The first lot consisted of the blue diamond; and it was apparently
considered to be a good start at �3000 and the bidding rose to �5400. Although
it was knocked down at that figure to a purchaser named 'Thorp' the general
impression was that the diamond remained unsold. Among the items sold was one
described as 'a fine cinnamon-yellow oblong brilliant' for �1500 which may have
been the previously mentioned diamond of a pink-brown tint that featured in the
jewel made for Maximilian III.
Now the mystery of the whereabouts of the Wittelsbach truly begins. Whatever
transpired at Christie's in December of 1931, the diamond did not return to its
former place of display in Munich; in its place visitors were shown a worthless
piece of faceted blue glass. Rumors included one that the stone had been sold
illegally in 1932 through a Munich jeweller and had reappeared in Holland. Later
research unveiled the fact that the Wittelsbach had been sold in Belgium in 1951
and that it had changed hands again in 1955. Three years later millions of
visitors came to Brussels for the World Exhibition and many must have cast eyes
upon the exhibition of jewelry which included a large blue diamond. But not one
person appeared to have any inkling that this was in fact a missing famous gem -
the Wittelsbach Diamond.
Credit for the recognition of the true identity of the blue diamond must go
to the late Joseph Komkommer, a leading figure in the Belgian diamond industry
and the fourth generation of a diamond family.
In January of 1962 Mr. Komkommer received a phone call asking him to look at
an Old Mine cut diamond with a view of its recutting. When he opened the package
he received a shock -- a dark blue diamond is among the rarest and most precious
of gems. Mr. Komkommer at once recognized that the diamond was one of historical
significance and that it would be sacrilegious to recut it. With the assistance
of his son, Jacques Komkommer, he identified the diamond as the 'lost' blue
diamond that was formerly owned by the House of Wittelsbach. Mr. Komkommer
thereupon formed a consortium of diamond buyers from Belgium and the USA which
purchased the diamond, then valued at �180,000. The vendors were the trustees of
an estate whose identity remained undisclosed. Finally, the Wittelsbach was
acquired by private collector in 1964. The diamond is presently said to reside
in Bavaria, Germany. Sources: Famous Diamonds by Ian Balfour and
Traditional Jewelry of India by Oppi Untracht.
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